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4th August 2008, 01:27 | #1041 | |
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Unless the lighting is constant, I wouldn't use manual - the lighting changes too often, you'd be forever metering, and that would mean you'd miss shots, or you'd be getting the shots, but they're under/over exposed. I'd use Av aka Aperture Priority, that way I've got the depth of field I want by setting the aperture, at the light levels I want through the camera metering. Speaking of which, I'd probably have that biased a little toward dark to help prevent highlight blowouts. Because there will be movement, but it's daylight, ISO 200 or 400, and would usually leave the white-balance to auto (or Sunlight if the colour mix doesn't look right) Even if the lighting is constant and I wanted to use manual, I'd still use Aperture Priority to work out what settings I want before I started snapping.
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Ξ √ Ω L U T ↑ ☼ N وكل يوم كنت تعيش في العبودية Last edited by crocos : 4th August 2008 at 01:29. |
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4th August 2008, 06:39 | #1042 |
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Stupid question, but what manual settings would you guys recommend for an outdoor music festival? outdoor anything really, i just don't want to use Auto.
I'm trying to get a feel of what shutter and aperture to use in different situations. depends on what im taking a photo of as well, but there must be like a normal setting to use. |
4th August 2008, 06:47 | #1043 |
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Learn how to use the histogram and exposure compensation. Instant feedback FTW.
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4th August 2008, 06:55 | #1044 |
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didn't see crocos already had replied. oops. thanks mate, i will work with those instructions
jodi: cheers, i understand how the histogram works, and what it looks like when you have a good balance. Last edited by dead goon : 4th August 2008 at 06:57. |
4th August 2008, 15:04 | #1045 |
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Ah well,
while i'm in the mood for giving out tips. 1) If you have the battery, and it's a bright day, try playing with fillin flash. If you have a fancy SLR, then try toning down the flash exposure compensation to stop the flash from being so harsh. Either that or walk backwards and zoom in. 2) Don't take photos at face height, work that camera. just make sure you don't get accused of doing upskirts if you're taking low shots. 3) Long exposure and zoom out for a groovy effect. 4) Try not to use flash when photographing the band members, esp at night. Not nice. 5) Play a little with macro? 6) Take photos in RAW. Means you don't have to worry about white balance, and it gives you +/- 1ev normally if you get your exposure wrong. 7) try overexposing/underexposing on purpose, critical mass kitty FTW! 8) try to stick to 100iso if possible, but at night, you'll be stuck with a high iso unless the people can stay absolutly still for 30 seconds...
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"I distinctly remember leaving my God at home in my room where he won't interfere with my life." -Quan Zee Teng |
4th August 2008, 22:38 | #1046 |
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Good tips.
With no.3. Do you mean zooming out while the shutters open? sweet. |
5th August 2008, 06:48 | #1047 |
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Yea. Gives the illusion of movement, or just makes the picture more "interesting"
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5th August 2008, 20:50 | #1048 |
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Nice - just tried that. Seems to work a little better with longer exposure shots so that either the start or end of the zoom is most solid, with the rest of the zoom providing effect.
That, and it's damn hard to get a smooth zoom that either lasts the whole duration of the shot, or the shot is too quick to do the full zoom.
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Ξ √ Ω L U T ↑ ☼ N وكل يوم كنت تعيش في العبودية Last edited by crocos : 5th August 2008 at 20:52. |
7th August 2008, 13:37 | #1049 |
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7th August 2008, 22:53 | #1050 |
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What to look for in a good tripod?
Also, recommendations welcome. |
7th August 2008, 22:58 | #1051 |
A mariachi ogre snorkel
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I'm no pro shooter, but I love the convenience of my Gorillapod
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7th August 2008, 23:01 | #1052 | |
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Ξ √ Ω L U T ↑ ☼ N وكل يوم كنت تعيش في العبودية |
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7th August 2008, 23:10 | #1053 | |
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7th August 2008, 23:14 | #1054 |
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Weird looking things. They're not that good if you have nothing to put it on. Say if you wanted to do some landscape shots.
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7th August 2008, 23:39 | #1055 | |
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All comes down to this: Stability - are the leg locking mechanisms stable/secure? Or feel flimsy with small movements? You can test this by erecting the pod and shaking it from the top. Weight - heavy tripods are more secure, but heavier to carry. Find the best balance for your lens/camera/height combo. Handling - does it take 3 minutes to fully set up, or closer to 45 seconds? Can you undo the leg locks with your gloves on? Does it have hand warmers on one of the legs? (aluminium = cold in winter) How about a reversible central column with a hook for stones (you place stones in your tripod carry bag, hang off the central column hook for extra stability) Make sure you buy something that will last your longer lenses too (>200mm) as unstable tripod will show up any movement at longer lengths. Same goes for your head choice - I would personally recommend Manfrotto 190X - stable, plenty tall (I'm at 1.9m and with cam + head + pod height all reach my eye level - just). If it's too pricey, go for plain 190B as this is essentially the same minus vertical central column and older leg locking mechanism. If you're going all out, get a carbon fibre version of 190X or a Gitzo Explorer series. Google for pdf catalogues from both manufacturers, there you have weight/size charts for easier comparison. Hope that helps. |
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8th August 2008, 00:50 | #1056 |
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Thanks for that. All well and good. But I'm a very amateur photographer :P I know I should invest in a really good tripod now, but I'm thinking maybe something a bit cheaper to start with.
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8th August 2008, 06:50 | #1057 |
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Unfortunatly, you get what you payfor. However a good tip for cheap pods is to weight them down with a heavy bag, and don't extend the centre pole.
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"I distinctly remember leaving my God at home in my room where he won't interfere with my life." -Quan Zee Teng |
8th August 2008, 08:25 | #1058 |
Love, Actuary
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For anyone interested, Lightroom 2 was out the other day. $99US upgrade if you pretend you're in the US, or $129US upgrade if you're honest - I lied...
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8th August 2008, 09:00 | #1059 | |
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8th August 2008, 09:38 | #1060 | |
SLUTS!!!!!!!
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Slow internet is worse than no internet. It's like putting your penis in once and then being required to make out for 2 hours --Matt "The Oatmeal" Inman |
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8th August 2008, 10:57 | #1061 |
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Actually one tip for the Gorillapod: Buy a medium ball-head for it. Makes it crazy-much easier to use.
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Ξ √ Ω L U T ↑ ☼ N وكل يوم كنت تعيش في العبودية |
11th August 2008, 09:39 | #1062 | |
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Yay, Lightroom 2.0 to the rescue!
Apparently they have addressed the crappy camera profile problem they had with lightroom :-) You'll need lightroom 2.0 to use it though, and its currently only in Beta atm.
http://labs.adobe.com/wiki/index.php/DNG_Profiles Quote:
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"I distinctly remember leaving my God at home in my room where he won't interfere with my life." -Quan Zee Teng |
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21st August 2008, 02:05 | #1063 | |
A mariachi ogre snorkel
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27th August 2008, 00:37 | #1064 |
Cogito Ergo Sum
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28th August 2008, 03:21 | #1065 |
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D90 is here.
http://www.dpreview.com/news/0808/08...0previewed.asp movie function raises an eyebrow. |
28th August 2008, 04:30 | #1066 |
yawn.
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#
# Movie capture at up to 1280 x 720 (720p) 24 fps with mono sound |
28th August 2008, 14:23 | #1067 | |
May contain nuts
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That's seriously hot right there.
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omgwtf |
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28th August 2008, 14:59 | #1068 | |
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And when the hell is an update to the 5D coming? Or at least an alternative cheaper full-frame sensor model.
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If ignorance is bliss, why is everyone so unhappy these days? |
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28th August 2008, 15:34 | #1069 |
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To explain why I want full sensor: I really, really, really want to buy a Canon 24-105mm L lens; but on a 1.6x crop sensor (ie: my 350D) that effectively makes it a 38-168mm. Which just puts it out of having what I would consider wide-angle capability, which I really want for my walkaround lens (I currently use a 17-70mm Sigma, which is effectively 27-112mm range on my camera - or pretty close to what that L would be on a full-frame SLR) - it's a really versatile range to have...
But I can't afford both the lens and a 5D. And I know other brands have full-frame offerings, but I really want to stick with Canon. Hmm... may have to relax that rule if Canon doesn't sort their shit out.
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If ignorance is bliss, why is everyone so unhappy these days? |
28th August 2008, 16:29 | #1070 |
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get a D700.
you know you want too. |
28th August 2008, 16:46 | #1071 |
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Mmm. I can't afford a $3k camera, so you suggest a $5k one.
You must be 'avin' a Turkish.
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If ignorance is bliss, why is everyone so unhappy these days? |
28th August 2008, 16:56 | #1072 |
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If you don't specifically want an L lens, Canon have just announced an 18-200mm EFS lens. Due out here in NZ at the end of September. Retails in the States for USD699. 35mm equivalent is 29-320mm
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Carpe Diem |
28th August 2008, 20:47 | #1073 | |
Love, Actuary
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28th August 2008, 20:55 | #1074 | |
yawn.
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caffiend: I'd expect Canon to make any announcements at photokina, next month. |
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28th August 2008, 21:51 | #1075 |
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Shit len's are expensive. I'm rockin the 18 - 55mm kit lens for now, it's all i need
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28th August 2008, 22:52 | #1076 |
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I know nikon had a 18-55 & 55-200 kit with their D60.. so tempted to pick one of these up.
In the middle of deciding between a nikon D60 and a canon 450D
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ɹǝʌo sᴉ ǝɯɐƃ ʎɥʇ |
28th August 2008, 22:55 | #1077 |
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ive got a 55-200VR lens, not bad for its price at all.
if you go nikon also look at getting a 80-200 F2.8 instead, pin sharp lens for fuck all cost. |
28th August 2008, 23:01 | #1078 | |
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Last edited by dead goon : 28th August 2008 at 23:04. |
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29th August 2008, 00:27 | #1079 | |
yawn.
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29th August 2008, 00:57 | #1080 |
A mariachi ogre snorkel
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Yeah, the el cheapo 50mm f1.8 is a must-have.
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